Wednesday, September 17, 2025
Weekly Progress
Week 1:
This week is our first week back in media class preparing for our music videos project. We formed our team today, where I’m happy to work with Tisha, Kimora and Kellie. Since the groups were just formed this week, we didn't discuss any ideas for the music videos, such as genre, plot, etc. However, we were instructed to choose a genre quickly and get started on the genre research.Problem: One problem we faced that we were instructed to start our genre research immediately on the first lesson of the week, when we had no prior discussions. We weren’t prepared to commit to one decision at all and had to suddenly choose a genre without putting much thought into it. We had a hard time deciding what genre to choose, as everyone mostly had different ideas and visions for this project. Especially since it was the first time all four of us were on one team.
Solution: To help us decide, we decided to evaluate the certain genre conventions and how easy it would be to execute them based on music videos and songs we previously watched or heard. After this, we narrowed it down to pop and R&B, where we held a face-to-face group vote and ultimately chose R&B. After that, we could continue with our genre research smoothly.
Week 2:
As we continued on with our genre search, we started collecting ideas on what we could put into our music videos, and more importantly, what song to use. We planned on taking inspiration from the music videos we researched, then pitching the possible ideas to the group, followed with a discussion. Similarly, we prepared one or two songs each to nominate for the official song we would use. We also used a voting system here, after evaluating the pros, cons, and possible ideas for each song. We eventually decided on “POV” by Ariana Grande which is classified as a R&B/Soul song, which was a shock, as Ariana Grande is typically considered a pop singer.Problem: We faced some difficulties while researching R&B music videos. To be honest, my group did not know a lot of R&B artists besides mainstream and popular ones such as SZA, Daniel Caesar, The Weeknd, etc. Since we did not have too much knowledge on R&B music videos, we were worried that we would research the same (popular) music videos, which would not give me a wide range of knowledge. Additionally, the song we chose did not have a music video, only a lyric video, so we couldn't really take inspiration from that.
Solution: To get a better idea of R&B and its artists, we listened to some recognizable R&B songs and got to know the singer behind the songs. With this, we knew some more artists and familiarized ourself with R&B. To make sure we did not research the same music videos, we each wrote a list of the videos we were planning to research, and cross checked to ensure there were no duplicates. We also tried our best to not research the same artists. This is so we can know the different sides of R&B.
Week 3:
Continuing our genre research was still a task we had yet to finish. This was a very long and tedious task, especially when I’m so busy this week with tests and unit assessments from other subjects outside of media. Since I have to focus on those tests, I haven’t had the chance to really work on my genre research. Especially since I plan to make my genre research rather detailed. When I asked the rest of my team, most of them were also not ready with it. Now I learnt the hard way to manage my time properly to avoid any rushing of my work, which might sacrifice the quality in order to meet deadlines.
Problem: Since I was so busy, and did not have time to finalize my genre research, I’m wasting precious time finishing it off rather than using my time to start on other blog posts such as the statement of intent. If I had finished it easier by exercising better time management skills, I would’ve been able to start the progress of other important parts of this music video project.
Solution: I allocated some time after school to really focus on getting my genre research done. I visited a study cafe that really got me into a nice workflow, and I was able to complete the last few music videos I analyzed. I learnt that setting up a proper study area with minimal distractions such as mobile phones is an effective way to finish repetitive media studies work. Next time, I’ll use this same method when I have a lack of motivation to do a blog post.
To Do: Now, I don’t really have anything assigned by my teacher however, I could get a head start on other blog posts like a screen test, which would be a vital part in our process to find a good actor to be our artist.
Week 4:
This week, my team and I started working on the statement of intent. Over the genre research period, we discussed possible storylines, characters, and the overall vibe we are trying to incorporate into our music videos. So we did not really face difficulties writing the statement of intent itself. We decided on a love story between two individuals, where it all ended up to be the girl’s (our artist’s) daydream. We also started on the mood board, so we could visualize the overall style and vibe of each character, scene, etc. This will make it easier for us to decide mis-en-scene, such as outfits and props. Additionally, we printed out a lyric sheet and a storyboard template, hoping to get progress on those two.
Week 5:
In today’s media lesson, we learnt about persona, which is an important part of an artists “branded” or “real” personality. This is one way an artist can express themselves artistically or build a fanbase. We did a classwork per team to research persona, and plan the persona of our artist. Since we did this as a group, we split the parts and finished it relatively quick. So overall, it was not too much of a hassle and it helped us shape our artist. Tisha, who is in charge of the storyboard, found an online storyboard platform/app that she found easy to use, and provided a clear outline of how each scene is going to be filmed. However, she also wanted to create a traditional storyboard to compare between the two. This week, we also finished our mood board.
Solution: One way I fixed my lack of inspiration was actually asking students who do not take media studies. I asked them questions about certain celebrity personas we could take inspiration from that would match with both our music video, and our actor, Kellie. Making sure that Kellie can properly embody the persona is an important point in order for filming to go smoothly. With the unbiased view of students outside of media studies, who could possibly also have more knowledge on a wider range of celebrities, I got more suggestions and feedback about the persona I was building for the artist, and also public figures I could reference. This made it easier for me to complete my part in the persona classwork.
Week 6:
Monday, September 15, 2025
Final Documentary and Thumbnail ⋆˙⟡♡
Documentary
Thumbnail
Critical Reflection ❀࿐
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CR 1 |
How do your products represent social groups or issues? |
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CR 2 |
How do the elements of your production work together to create a sense of ‘branding’? |
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CR 3 |
How do your products engage with the audience? |
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CR 4 |
How did your research inform your products and the way they use or challenge conventions? |
Branding is an important part of media production. It allows media texts to establish a distinct identity that differs it from other texts. In both the thumbnail and documentary, we achieve branding by utilizing dark color grading, bold typefaces, and crime-related mis-en-scene such as the pinboard (Fig. 1). These elements set the uneasy tone and reveal genre to audiences. The thumbnail entices viewers by standing out and using hermeneutic codes to raise curiosity, leading to clicks to watch the documentary, which serves as the main text. Stuart Hall's Reception theory explains how audiences interpret the text. Our dominant reading is how stalking is unacceptable. This is reinforced through mis-en-scene such as the girl's pink clothing and white uniform, connoting her femininity, innocence and gender-stereotyped vulnerability. The stalker wears black leather jackets and masks (Fig. 2). Those clothes are culturally linked with aggression, secrecy, and masculine gender stereotypes. The juxtaposition between the two, and discordant non-diegetic sound emphasizes the threat of stalking. This all aligns with Barthes' semiotics theory, as together, these elements form a consistent brand identity that audiences can easily recognize.
My research informed me about typical genre conventions in crime documentaries, such as CCTV high-angle shots, phone call audio, female victims and desaturation. My project conformed to most genre conventions, so ensure it felt familiar to audiences. For instance, we used CCTV footage (Fig. 3) to make crime scenes feel more authentic. We also applied desaturation to create a serious mood and connote sadness. Phone call audios, especially with heavy breathing, helped create a threatening and uneasy atmosphere. A cliche I followed was the “I’ve never seen a case like this before” (Fig. 4). According to Steve Neale, genres rely on repetition and difference, which is why we subverted the female victim stereotype to make our documentary to keep audiences engaged. While our protagonist is a victim of stalking, the kidnapping victim is actually her boyfriend, which challenges traditional genre conventions and societal expectations of female weakness and “hero” males. Research into Netflix stalking documentaries such as Lover, Killer, Stalker (2024) and Can I Tell You A Secret (2024) strongly influenced our choices during production, such as inspiring our mis-en-scene and overall style.
Our target audience is late teens to young adults (16-30), true-crime enthusiasts and justice seekers. Our text is open to both Indonesian and global audiences. To appeal to them, we place teenagers at the center of the narrative, even using uniforms (Fig. 5), to relate to them. We also add elements of drama and relationships — topics young audiences resonate with. The perpetrator’s identity is deliberately hidden, creating hermeneutic codes that attract those who enjoy solving mysteries. Similarly, the obsessive pinboard in the thumbnail (Fig. 1) raises questions like “who would go this far?”, sparking curiosity. The thumbnail also builds empathy by placing the victim’s face in the middle with a red target graphic, highlighting her vulnerability and making the crime feel personal. This emotional pull encourages audiences to connect with the story. According to Blumler and Katz’s Uses and Gratifications theory, our product fulfills both diversion and surveillance. For some, the suspense and mystery provide an escape from reality, while Indonesian audiences may see it as shedding light on local crimes. Global viewers, meanwhile, gain insight into the psychological effects of stalking and how it can escalate in young people’s lives.